The wild places are where we began. When they end so do we.  – David Brower

The David Brower Center is pleased to present Art/Act: Local – Wild Places, featuring the work of four Bay Area artists examining the importance of connecting people to wilderness in order for them to appreciate, understand, and ultimately protect our natural environment.

The work of these artists varies greatly, from the microscopic seed images of Hagit Cohen to the grandiose landscapes of Alan Sonneman to the evocative backyard paintings of Ellen Little to the mesmerizing seaweed cyanotypes of Ann Holsberry, but all is infused with the desire to celebrate nature – her beauty and her resiliency. These sacred places have taken on even more importance during the global pandemic by providing a respite from fear, calm in the chaos, and inspiration in the face of so much unknown.

Ann Holsberry’s artwork is a direct expression of her collaboration with natural phenomena. She seeks out wild places where she can work outdoors, incorporating the earth as both muse and material. Through the dynamic photographic process of cyanotype, Ann uses sunlight to capture direct impressions of plants, sand, and other found objects from her surroundings. Due to the iron-based chemistry involved, a deep Prussian blue predominates.

From gathering materials to exposing the final artwork, the entire process is intensely physical. Holsberry begins in nature, where she searches for specimens to document such as endangered sea kelp beds off the California coast. She then moves to the darkroom, where she paints, drips, and pours light sensitive emulsion onto paper or fabric. Once it has dried, she brings the prepared substrate to a site-specific location, shielding it from the sun with a tarp while she collects materials. She then works in darkness under the tarp to lay the found objects (and sometimes her own body) onto the fabric or paper. When the tarp is removed and the surface is exposed to the sun, objects blocking the light leave a white unexposed area behind. The resulting silhouettes have both clarity and mystery against the deep blue background.

Since Ann composes her artwork mostly in darkness, and is often at the whim of weather conditions, she relinquishes some control of the outcome and embraces chance and the unexpected. “My art practice is continuously propelled into new, experimental directions as a result of working with unpredictable elements in nature, and inspires in me a profound appreciation for my small place in the natural world.”